Showing posts with label WFE. Show all posts
Showing posts with label WFE. Show all posts
Tuesday, April 12, 2011
Saturday, April 2, 2011
Tuesday, March 29, 2011
Saturday, March 26, 2011
Robert Pattinson: Dark Magazine {Scans~Interview~Translation}
Translation
Robert Pattinson : “I feel better working with animals than with people “.
When you are a young actor, handsome and you are so famous thanks to Twilight, you might be trapped forever in this outbreaking role. But Robert’s talent is linked to his ability to keep on working on sets and playing characters completely different from Edward Cullen. After the drama Remember Me, it’s in another love story we can see him with Academy Awards winners Reese Witherspoon (Walk the Line) and Christoph Waltz (Inglorious Basterds). For Dark Magazine , he talks about his unusual experience while playing Jacob , a young man who must drop his veterinary studies after a family tragedy, and he decides to change his way of life joining a circus . He will fall for a young woman , Marlena , and more surprisingly for an elephant : Rosie. This story is set in the 1930s in America.. In theaters on May 4th.
Hi Robert, can you talk about Jacob,. Who is he? How will he join a circus?
Jacob is a veterinary student in Cornell University he’s about to take his final exam when his parents die in a car accident. His whole world collapses in a few months. He jumps on board an old train to start from scratch and try to find a job somewhere, then he discovers it’s a circus train. He sees Marlena the very first day and these are the 2 main reasons he wants to stay and be part of this circus life. He gradually manages to accept his new life and falls for Marlena. And he also manages to blow everything out ! (laughs).
How would you describe him?
Jacob doesn’t know anything about the circus. At the beginning , he is self conscious, he knows how idealistic he is. But he soon realizes this universe , that he discovers in the middle of a huge economical crisis, seems to destroy the slighest spark of hope within himself. He also gets acquainted with August, a very violent man. Actually , Jacob goes through several trials of life, he faces a lot of difficulties throughout the story, and in the end, he realizes that he kept his idealistism , no matter what. I think this is what moves Marlena and encourages her to follow him . August is such a practical man . He thinks he must appear as a cold and harsh man to the others otherwise his world will collapse . But Jacob sees things quite differently. His way of life is so far from August’s .
Did you easily manage to connect to your character ?
Yes. Honestly , I feel better working with animals than with people. I found out that all the animals had a weakness. You just need some peppermint to be loved by elephants. I realized you can do whatever you want with giraffes whenever you have apple juice on your hands. Even the animal trainers were astonished . There was a 6 month-old girafe on set and they couldn’t make her do what they want . I came to see her covered with apple juice and she followed me anywhere. Everybody was like “How did you do it ? Why does she do as you say ?”.
Did you read Sara Gruen’s novel , “Water for elephants” ?
I haven’t read it before I got the role, but once I started , I couldn’t stop. I read it on the plane while I was going for some reshoots for Twilight and the man next to me that day was also reading it. On my flight back, my neighbour was also reading it! It was really weird. I know the book was a best seller in the USA but I think it’s also a successful book in foreign countries . I feel it’s like the Twilight books. When we started shooting the first film , more and more people discovered this book, sales started to boost and the novel immediately became popular . A few peole have heard of “Water for Elephants” before and suddenly , by word of mouth , everybody had read the book.
This part is so different from the one you have in Twilight. Was it an interesting and exciting experience?
It was awesome. It was great to work with such great actors. I didn’t really know what to expect when I signed for the film. Then , I met Tai the elephant and it was so incredible that I absolutely wanted to do it ! (laughs). From the very first day , it was an amazing experience. Everybody seemed to be deeply involved in that project , everybody on set was convinced that this film was gonna be extraordinary.
So how was it working with Tai, did you fall in love ?
Almost ! (laughs). I was so sad when I had to leave her at the end of the shooting. She had such an extraordinary charisma. It’s weird – It must be the same with any other elephants since they are so huge. You feel untroubled when you are next to them . I would easily sit all day long next to Tai . And it’s what I did the very first days . I always sat next to her and I stayed there all day long. There’s no way she tramples on you or hurts you because she always knows exactly where you are. Those animals have amazing personnalities – at least, she has. She’s lovely.
Set secrets
If the novel wasn’t well known in France, the Hollywood top actors of the new generation fought for Jacob’s part : Channing Tatum (GI Joe, Cher John), Emile Hirsch (Into the Wild) and Andrew Garfield (The social network, Spiderman) auditioned but it was Robert Pattinson who was cast . Resse Witherspoon and Robert had already played together in Vanity Fair. In Water for Elephants they are secret lovers and in Vanity Far, Reese was Robert’s mother !
LeRPattzClub (Scans & Translation)spunk-ransom
Special Thanks To: PattinsonLadies
Labels:
Dark Magazine,
Robert Pattinson,
WFE
Thursday, March 24, 2011
Robert Pattinson: Why 'Water for Elephants' Was A No-Brainer {New Interview}
You're incredibly busy. What is it about Water for Elephantsthat made you decide this was the film you wanted to do next?
When I first met Francis, we met at the elephant sanctuary where Tai the elephant lived. I got along with him really, really well in the car. We arrived at this place, met the elephant and he was showing us all the tricks that it was going to do in the movie—it was such an incredible day and just the environment of being around elephants was the first major thing. I loved the idea of working on such a peaceful set because just being around them is incredibly peaceful. Also, having done so many stressful things over the previous year, when I read the script and the book and loved them both, it just felt like I could add something to it. Then it had Reese and Christoph on it and I felt like you can't really get a better cast, and that was about it. I thought it was kind of a no-brainer, really.
It's interesting to hear you talk about the animals because one scene that stands out is the first time you walk through and meet all the animals by yourself. You just seemed so comfortable in that circus environment.
There was something about where we were shooting and just the wildness the story created—there's something kind of magical about it. We were shooting out in the middle of the desert and everything was in this authentic '30s circus tent and there was hardly any kind of modern day film equipment anywhere. You could really believe that you're in the '30s. There was just something about the way the light comes through the tent. There's this real mystic quality and then there's extremely hot, tired animals, exotic animals in these period cages. There is something incredibly beautiful and strange when you see a hyena and tigers and zebras and they're all in the same room together all passed out sleeping—and a baby giraffe at the end. One thing about that scene specifically, the baby giraffe was completely clueless to the fact that there's the tiger in one cage and lion in the other cage directly opposite it. They're both staring at the giraffe during the scene and I was just trying to make the giraffe not realize what was happening and keep him looking in one direction.
That sounds like a metaphor for something, although I'm not exactly sure what.
It's funny because the giraffe wasn't born in the wild or anything so it had no idea of the threats posed about four feet away from him. I mean, everyone always talks about, "Never work with children and never work with animals," but I just found that it's always been a part of me. I enjoy working with children and animals more than adults the majority of the time because they're a constant source of inspiration because they're just doing their own thing. They don't know they're in a movie.
They're the ultimate method actors.
They're really, really, into their characters. [Laughs]
As a kid, did you want to run away with the circus?
Not really. I only went to the circus once when I was about six or something. The clowns were in this little car and the car door blew off and my sister told me that the clown had died, which is completely untrue but I thought it was true up until a year ago. I think that was one of the things that set me off from ever going to the circus again. It's funny because so many people always think the circus is creepy and then you watch Water for Elephants and it doesn't seem even like a circus, really. Some people have asked me, "Is it scary? Are there freaky clowns?" No. Why is that the first thing that comes to your head when you think about a circus? That is just very strange.
So many people are afraid of clowns. What happened to them when they were kids?
I know. It's so weird. Maybe in my generation, most people want to be miserable all the time so they're scared of someone trying to make them laugh. One of my favorite movies was It when I was younger. I kind of always liked the idea of a psycho clown.
I think I actually do blame It for a lot of that. I remember watching that when I was really young and just being terrified—especially of spiders, too.
I watched it again recently and it's really not very scary. I was terrified of it when I was younger for years.
My parents let me read that book when I was ten. I don't know what they were thinking. I wanted to ask you, this film has such an American feel to it. Since you're from London, I was wondering what you drew on to give it this great '30s frontier spirit?
I think it's always been my favorite period of America. Whenever I'm driving through the countryside in America and just see flat land going for ages and ages and tiny little towns with their little gas station and stuff. That's what my idea of America is. I never think about New York or any of the cities. That's what it seems to me. That period, that's the end of the Wild West. That energy I find really attractive. I like the idea of romanticizing America because England in the '30s, there's nothing I particularly want to romanticize. There's something about America at that point in time that seems very symbolic of hope for some reason. As soon as I saw the way Jack Fisk the production designer created the sets, and also just the days and the times of the day we chose to shoot on-we were always shooting in magic hour-it just felt incredibly American all the time and I really liked it. I don't know if you could make a modern movie feel the same. I don't what you do to make something seem really American if it was modern day. Before the '40s, people are essentially still cowboys and that's what Americans are to me. And then it became all white picket fences and something totally different. But the '30s are cool.
When I first met Francis, we met at the elephant sanctuary where Tai the elephant lived. I got along with him really, really well in the car. We arrived at this place, met the elephant and he was showing us all the tricks that it was going to do in the movie—it was such an incredible day and just the environment of being around elephants was the first major thing. I loved the idea of working on such a peaceful set because just being around them is incredibly peaceful. Also, having done so many stressful things over the previous year, when I read the script and the book and loved them both, it just felt like I could add something to it. Then it had Reese and Christoph on it and I felt like you can't really get a better cast, and that was about it. I thought it was kind of a no-brainer, really.
It's interesting to hear you talk about the animals because one scene that stands out is the first time you walk through and meet all the animals by yourself. You just seemed so comfortable in that circus environment.
There was something about where we were shooting and just the wildness the story created—there's something kind of magical about it. We were shooting out in the middle of the desert and everything was in this authentic '30s circus tent and there was hardly any kind of modern day film equipment anywhere. You could really believe that you're in the '30s. There was just something about the way the light comes through the tent. There's this real mystic quality and then there's extremely hot, tired animals, exotic animals in these period cages. There is something incredibly beautiful and strange when you see a hyena and tigers and zebras and they're all in the same room together all passed out sleeping—and a baby giraffe at the end. One thing about that scene specifically, the baby giraffe was completely clueless to the fact that there's the tiger in one cage and lion in the other cage directly opposite it. They're both staring at the giraffe during the scene and I was just trying to make the giraffe not realize what was happening and keep him looking in one direction.
That sounds like a metaphor for something, although I'm not exactly sure what.
It's funny because the giraffe wasn't born in the wild or anything so it had no idea of the threats posed about four feet away from him. I mean, everyone always talks about, "Never work with children and never work with animals," but I just found that it's always been a part of me. I enjoy working with children and animals more than adults the majority of the time because they're a constant source of inspiration because they're just doing their own thing. They don't know they're in a movie.
They're the ultimate method actors.
They're really, really, into their characters. [Laughs]
As a kid, did you want to run away with the circus?
Not really. I only went to the circus once when I was about six or something. The clowns were in this little car and the car door blew off and my sister told me that the clown had died, which is completely untrue but I thought it was true up until a year ago. I think that was one of the things that set me off from ever going to the circus again. It's funny because so many people always think the circus is creepy and then you watch Water for Elephants and it doesn't seem even like a circus, really. Some people have asked me, "Is it scary? Are there freaky clowns?" No. Why is that the first thing that comes to your head when you think about a circus? That is just very strange.
So many people are afraid of clowns. What happened to them when they were kids?
I know. It's so weird. Maybe in my generation, most people want to be miserable all the time so they're scared of someone trying to make them laugh. One of my favorite movies was It when I was younger. I kind of always liked the idea of a psycho clown.
I think I actually do blame It for a lot of that. I remember watching that when I was really young and just being terrified—especially of spiders, too.
I watched it again recently and it's really not very scary. I was terrified of it when I was younger for years.
My parents let me read that book when I was ten. I don't know what they were thinking. I wanted to ask you, this film has such an American feel to it. Since you're from London, I was wondering what you drew on to give it this great '30s frontier spirit?
I think it's always been my favorite period of America. Whenever I'm driving through the countryside in America and just see flat land going for ages and ages and tiny little towns with their little gas station and stuff. That's what my idea of America is. I never think about New York or any of the cities. That's what it seems to me. That period, that's the end of the Wild West. That energy I find really attractive. I like the idea of romanticizing America because England in the '30s, there's nothing I particularly want to romanticize. There's something about America at that point in time that seems very symbolic of hope for some reason. As soon as I saw the way Jack Fisk the production designer created the sets, and also just the days and the times of the day we chose to shoot on-we were always shooting in magic hour-it just felt incredibly American all the time and I really liked it. I don't know if you could make a modern movie feel the same. I don't what you do to make something seem really American if it was modern day. Before the '40s, people are essentially still cowboys and that's what Americans are to me. And then it became all white picket fences and something totally different. But the '30s are cool.
Labels:
Robert Pattinson,
WFE
Wednesday, March 16, 2011
Robsten & WFE in ''Cuore" Magazine (Spain)
Labels:
Kristen Stewart,
Robert Pattinson,
WFE
Tuesday, March 15, 2011
Thursday, March 10, 2011
NEW/OLD Water For Elephants Still Now In HQ!
Labels:
Glamour UK,
Robert Pattinson,
WFE
Thursday, March 3, 2011
New Water For Elephants Trailer via WFE Official YouTube!!
via Official #WFE YouTube Account
Labels:
WFE
Wednesday, March 2, 2011
NEW Rob & Reese Water For Elephants Stills!!
*Sigh* I really can't wait until April for this movie! Can we PRETTY PLEASE just have Jacob NOW!!
visit TOR for some beautiful B&W's manips of these pics and more!
Labels:
Reese Witherspoon,
Robert Pattinson,
WFE
Sunday, February 6, 2011
Water For Elephants: All 3 Amazing Movie Posters!
Labels:
WFE
Thursday, January 20, 2011
Sunday, January 16, 2011
NEW Pictures of Robert Pattinson on the 'Water For Elephants' Set Jan 14th & 15th
Robert Pattinson prepares for reshoots with co-star Reese Witherspoon this afternoon on the set of 'Water For Elephants' filming in Los Angeles, CA on January 15, 2011
Actor Robert Pattinson shows off a bright red "shiner" under his right eye for his fight scene with co-star Reese Witherspoon's character's husband on the set of Water For Elephants in Los Angeles, CA during reshoots on January 14, 2011, for the highly anticipated film based on the book "Water For Elephants".
Labels:
WFE
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